迷藏 (紫微斗數則例三十一)/ LOST

古訣云:「鈴昌陀武,限至投河。」今篇則例,不幸言中。

「鈴昌陀武」見於日月反背,紫府在寅基本盤,所描繪是一幅滄茫大地的孤景,當中有暗淡的太陽、空劫的洗禮、武曲行動受制在戌的天羅地網 (辰為天羅,戌為地網)、鈴星的邊疆渺無人煙、陀羅的持續羈絆及原地踏步。面對如此地理上的不確定凶險,猶如一個危險的平台,逢運限至,容易發生意外。一般情況都是有驚無險,但「有驚」在前總是難免。

斗數推斷在於層層疊疊,一氣通貫, 此例除「鈴昌陀武」外,權忌亦重重緊疊於三方四正的卯辰酉戌四宮(三方四正:子丑午未、卯辰酉戌、寅申巳亥,即三組的四個宮位,每組當中包含六合關係)。辰戌兩宮乃先天疾厄,面對如斯重壓,性命堪憂。原局辰宮貪狼化權、文曲化忌、太陰會五煞;庚午大運再添武曲化權,天同化忌;流年、流月有太陰化忌;流日初八、初九行卯、辰兩宮,彷彿請君入甕,消失於天與地。

至於風水飛星方面,下次再談。

伸延閱讀:從術數角度看「西貢結界」

滄茫遊牧

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發表者:Feng Shui Renaissance

I started my quest in Geomancy (堪輿) at youth with my uncle in geographical landscape analysis (巒頭) and later with Master H.L. Ip in The Book of Changes (易經), Flying Star (九宮飛星) & Chinese Astrology Chart Reading (紫微斗數). After graduation in University of Toronto in Quantitative Economics, I had the opportunity to work in various investment banks & had my experience in Geomancy polished on site for the next 20 years. My approach in Geomancy is in landscape & site coordinate matching to attain the overall fine balance in aura. In 2014, I officially started my consultancy work in Geomancy under the name Feng Shui Renaissance for both local & overseas projects which cover Grade A office space and residential units. In 2020, I started my mindfulness product distribution in Nepal singing bowls, Japanese incent, Peru Palo Santo, Thangka painting & Crystal. I am also active on social media in sharing his Geomancy opinion.

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