憶《愛蓮說》
「水陸草木之花，可愛者甚蕃。晉陶淵明獨愛菊。自李唐來，世人盛愛牡丹。予獨愛蓮之出淤泥而不染，濯清漣而不妖，中通外直，不蔓不枝，香遠益清，亭亭淨植，可遠觀而不可褻玩焉。予謂菊，花之隱逸者也；牡丹，花之富貴者也；蓮，花之君子者也。噫！菊之愛，陶後鮮有聞。蓮之愛，同予者何人？牡丹之愛，宜乎衆矣！」
周敦頤獨愛蓮花之清香遠溢，秀氣央然，同時亦道出觀賞蓮花之美妙在於遠觀，不可俗套。近日有刁民擇句「二次創作」，狎玩之風當真不可長邪！《愛蓮說》所帶出的兩層意境，與今篇盤例大相徑庭，讀者可以留意以下幾組星曜：
天梁見五煞：收火星、鈴星、擎羊、地空、地劫，天梁原本特性被大幅修改
天梁、祿存：天梁為長老不偏倚的獨特見解，性近清貴，與祿存之物質性格格不入，然若會上，捨棄清貴還是物質？配上龍德，是否獨特地認為兩者皆可兼得，既貴且富而多取些呢？
太陽、鈴星：隱閉，遙遠，工作性質並不顯眼
年少行天同：容顏耐老，稚氣猶存
對星多夾宮 (昌曲、火鈴、龍池、鳳閣、恩光、天貴、台座)：過偏失格，性格易走偏鋒，另天同亦為三德曜之軸，配化忌、火星，習染兵勇丁卒之氣
全局天梁食煞重，為戊寅大運之田宅宮。大運行貪狼化祿，受權忌所夾。居於先天父母宮的太陽經歷由原局的化祿，大運再化科至辛丑年化權，代表男性及父權的太陽屢屢收放下，命主流年坐正丑宮太陽，同宮雜曜貫索、天煞，前程有異不難理解。文昌化忌不但六合流年丑宮命宮，更匯聚於申宮先天田宅廉貞身上，帶有強烈宗族變異意味，同時也影響本已七零八落，六合的巳宮天梁。此劫環環緊扣，尚未計祿權科三奇嘉會的危機處理，實非一般生搬硬套的三方四正所能洞悉。
伸延閱讀：愛蓮說 – 葉漢良 (蘋果日報)
發表者：Feng Shui Renaissance
I started my quest in Geomancy (堪輿) at youth with my uncle in geographical landscape analysis (巒頭) and later with Master H.L. Ip in The Book of Changes (易經), Flying Star (九宮飛星) & Chinese Astrology Chart Reading (紫微斗數).
After graduation in University of Toronto in Quantitative Economics, I had the opportunity to work in various investment banks & had my experience in Geomancy polished on site for the next 20 years.
My approach in Geomancy is in landscape & site coordinate matching to attain the overall fine balance in aura. In 2014, I officially started my consultancy work in Geomancy under the name Feng Shui Renaissance for both local & overseas projects which cover Grade A office space and residential units. In 2020, I started my mindfulness product distribution in Nepal singing bowls, Japanese incent, Peru Palo Santo, Thangka painting & Crystal. I am also active on social media in sharing his Geomancy opinion.
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